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This blog is written entirely by Sacred Heart of Mary Girls' School students and run by the RE Department. All students are encouraged to write about a range of topics connected to religion and the media, religion and the news, as well as topics connected to the GCSE and A-Level syllabus. Why not write a contribution? Click here

Monday 13 January 2014

Does Derrick Jarman’s film, Wittgenstein provide a useful insight into one of the twentieth century’s greatest philosophers and his theory of language games



Ludwig Wittgenstein is considered one of the greatest philosophers due to his work within philosophical language. Some of his most notable work was his belief in language games. Jarman’s film Wittgenstein touches upon both Wittgenstein and language games.

 

Jarman portrays Wittgenstein as a tortured genius. He is constantly tormented by his own brilliance and does yearn to have a relatively normal life; away from academia. In this way, Jarman does excellently showcase Wittgenstein’s sadness, in that he is always running away from his life; probably in a bid to forget the torment his work provides him with. Jarman also conveys excellently the ways in which Wittgenstein influences and affects others around him, especially the frustration and exasperation he causes Bertrand Russell. One of the biggest problems that Wittgenstein seems to possess in Jarman’s film is his idea of language games. He is shown not only to hate the fact that others did not understand language games, but also with the fact that whilst trying to understand language games himself, he started to believe that language had no real meaning. This started to drive him mad, and could be considered one of the reasons that he wanted to leave academia behind him.

 

Even though Jarman’s film does provide an excellent portrayal of Wittgenstein and his theory of language games in some ways, he can also be criticised for the way he portrays him in others. An example of this is the addition of the Martian and intermittence of the young Wittgenstein can be shown to undermine Wittgenstein’s work. A Martian can be seen as childish or fantastical, and may be viewed by some people as an odd thing to add to such a film. Another criticism of Wittgenstein is that it almost glazes over Wittgenstein’s work, and is more focused on his private life, so if you did not necessarily want to learn about Wittgenstein, but about his work as a philosopher, it could be misleading. Furthermore, the fact that the young Wittgenstein kept coming and going throughout the film could be considered to be confusing.

 

Overall, Jarman does provide a useful insight into Wittgenstein and his theory of language games. It shows that Wittgenstein as a tormented genius, who is able to understand hard philosophical concepts, yet he makes it so that ultimately, the audience feels sorry for him.

 

LL and SS

2 comments:

  1. A great review - I agree that there is a great sadness to Wittgenstein. I like your reference to Russell, exasperated is a perfect description! I also agree the martian is more than a little odd! The audience does indeed feel a great sympathy with Wittgenstein which may be part of the reason is a much loved philosopher!

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  2. A great review. I think the film captures well a central idea of Wittgenstein's that there are no real philosophical problems only problems of misunderstanding language (quoted in the film itself). I think the surreal elements do seem to interrupt the flow initially, but I think they form part of the bigger picture. With regard to his life and his work, I would say that one thing about Wittgenstein is that you could never separate the two and perhaps the film does that well. A great blog that makes you want to watch the film again.

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